#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Landlady
From: John.Greene@student.umass.edu (John Greene)
From: David Douglas McCallum <kcjonz@wam.umd.edu>
The first two chords of Landlady (the ones they play for a good part of the
song) are: F#m7 and Bdim7/C#
isn't exactly the way they play it, but my intent is to make it sound as full as possible with just one rhythm guitar...
CHORD VOICINGS (chords not shown are played in open position)
F#m7 G#dim C#m7 D D#dim C Bm7 Fdim Bbdim G# C# F#
E--------------------------------------------4--4--2-
B--------------5----7-7-----5-3--------2-----4--6--2-
G---2----4-----4----7-5-----5-2---1----0-----5--6--3-
D---2----3-----6----7-7-----5-4---0----2-----6--6--4-
A---4----5-----4----5-6-----3-2---2----1-----6--4--4-
E---2----4------------------------1----------4-----2-
here's the music...
4/4 time
(intro - 4x: last time - drum fill)
F#m7 G#dim
| / / / / | / / / / |
(piano part - 8x: over intro chords)
F#m7 F#m7/F F#m7/E F#m7/Eb
| / / / / | / / / / |
(Theme 1)
3/4 time 4/4 time
N/C F#m7 C#m7 N/C
E-|---------------------|9-----------|------------|-----------------|
B-|-------------9-10-12-|------12-10-|12-----10-9-|10---12---9------|
G-|----------11---------|------------|------------|--------------9--|
D-|-------11------------|------------|------------|-----------------|
A-|--9-13---------------|------------|------------|-----------------|
E-|---------------------|------------|------------|-----------------|
(Eric Berman note: I think it may go like this:
N/C F#m7 C#m7 N/C
E-|---------------------|9-----------|------------|-----------------|
B-|-------------9-10-12-|------12-10-|12-----10-9-|10---12---9------|
G-|----------11---------|------------|------------|--9----9---9--9--|
D-|-------12------------|------------|------------|---------------9-|
A-|----13---------------|------------|------------|-----------------|
E-|--14-----------------|------------|------------|-----------------|
G#dim F#m7
E-|--------------|-----------------|-----------------|--------|
B-|--------------|---------------9-|-----------------|--------|
G-|--------------|------------10---|11---------------|--------|
D-|12----11-9-11-|12--11-9-12------|---11------------|--------|
A-|--------------|-----------------|-----------------|--------|
E-|--------------|-----------------|-----------------|--------|
G#dim F#m7
E-|-------------------|------------------10-|9---------------|
B-|-------------------|-------------9-10----|----------------|
G-|-------------------|--------9-11---------|----------------|
D-|--9-12-9-11-9-8-11-|9-11-12--------------|----------------|
A-|-------------------|---------------------|----------------|
E-|-------------------|---------------------|----------------|
Em A D D#dim D
E-|9-------12-------|10-------------9-|10-9------------10---|
B-|-----------------|-----------------|-----12-10-12--------|
G-|-----------------|-----------------|---------------------|
D-|-----------------|-----------------|---------------------|
A-|-----------------|-----------------|---------------------|
E-|-----------------|-----------------|---------------------|
C#m7 C Bm7 A
E-|9---------------|---9---------------9-|-----------------|
B-|----------------|12---12-10-9-10------|12------------10-|
G-|----------------|----------------11---|-----------------|
D-|----------------|---------------------|-----------------|
A-|----------------|---------------------|-----------------|
E-|----------------|---------------------|-----------------|
G#dim Fdim F#m7
E-|--------------------|-----------------|
B-|12-10-9---------9---|-----------------| repeat Theme 1, hold the
G-|--------11-10-------|11---------------| last F# note and chord
D-|--------------------|-----------------| for an additional bar,
A-|--------------------|-----------------| then proceed to Theme 2.
E-|--------------------|-----------------|
Theme 2
Bm E A
E-|-14-------------10|14-10-----------12----|9----------9-10-|
B-|--------------12--|------12-10-9---------|--------12------|
G-|------------11----|----------------------|----------------|
D-|------------------|----------------------|----------------|
A-|------------------|----------------------|----------------|
E-|------------------|----------------------|----------------|
Bbdim A G# C# F#
E-|12------|14-------|--------|13------|---------|
B-|--------|---------|16------|--------|14-------|
G-|--------|---------|--------|--------|---------|
D-|--------|---------|--------|--------|---------|
A-|--------|---------|--------|--------|---------|
E-|--------|---------|--------|--------|---------|
Em A D
E-|----------------10-|9-----------------|---------------9-|
B-|12-----------12----|---------12-------|10---------------|
G-|-------------------|------------------|-----------------|
D-|-------------------|------------------|-----------------|
A-|-------------------|------------------|-----------------|
E-|-------------------|------------------|-----------------|
D#dim D C#m7 G#dim Fdim F#m7
E-|------------------|----------------|------------------|--------|
B-|12-------10-------|9----------9-10-|9-----------------|--------|
G-|------------------|----------------|---------10-------|11------|
D-|------------------|----------------|------------------|--------|
A-|------------------|----------------|------------------|--------|
E-|------------------|----------------|------------------|--------|
Repeat theme 1, then intro chords to end.
And that's it! Note that I tried to represented note lengths fairly accurately,but I could't think of a good way to notate triplets and
odd-length notes. The general rule is each dash represents a 16th note, but I stretched the rule to accomodate double-digit fret numbers
'n' stuff...let your ears be your guide!
Also, in places where the chords are G#dim -> Fdim, you can just hold the G#dim if you want, since Fdim is just another inversion of
the same chord.